Jumper Two

Fledging independent game developer Maddy Thorson made her first significant mark on the medium in February of 2004 in the form of Jumper. Though not quite her debut effort, it was the first one she felt worth mentioning in retrospect. This minimalization of the platforming games she grew up with was highly praised in the independent circuit. Shortly after the release of Jumper, she teamed up with another Game Maker-user who went by the name Dex. The game that resulted from their collaboration, Dim, drew a lot of inspiration from Jumper while also giving its protagonist the ability to hop between dimensions in a manner reminiscent of The Legend of Zelda: A Link to the Past. This game also found an audience and would be referenced in later editions of the Jumper level editor. As Ms. Thorson gained more experience programming, she used what he learned to fine tune the physics in Jumper and create a sequel. This game, simply entitled Jumper Two, was released in June of 2004 – a mere four months after the release of the original. Being her third game in the span of a year, what does Jumper Two bring to the table?

Analyzing the Experience

In the year 1888, scientists banded together and began working on a project to create the ultimate soldier. Their experiments resulted in the creation of a creature they named Ogmo. This team was determined to see their project through to the end, but the First World War left them with no choice but to abandon their plans. In 2004, Ogmo awakened and successfully escaped the dilapidated laboratory. He was captured shortly thereafter and placed on an aircraft headed for the National Science Institution where he would be studied. Finding a way to the aircraft’s escape hatch, he jumped, eventually finding himself in an old temple.

Anyone fresh off of Jumper will instantly know what to expect in its sequel. Despite Ogmo having come into being as a result of experiments to create the ultimate soldier, he is quite limited in how he can respond to the hostile environments in which he regularly finds himself. His first and only solution to avoiding death is to jump, and he is quite proficient in that regard. He is controlled exclusively though precise use of the arrow keys. The left and right keys will move Ogmo in that direction. It is the up arrow key that causes him to jump.

At first glance, Ogmo’s jump seems unimpressive. Though it gains a remarkable amount of height as is typical for this genre, it doesn’t seem as though it would be worth calling the series Jumper because of it. Fortunately, his ability to jump extends far beyond most of his peers. Like many platforming protagonists, he has the curious ability to jump a second time while airborne. If he happens to touch a floating golden arrow while in the air, his ability to double jump is restored, allowing him to do so a third time. There is no limit to the number of times you can do this; as long as you collect a golden arrow, you can jump once more before touching the ground.

On the surface, it would appear as though Jumper Two is a basic sequel that rehashes what made the original work. Though Jumper Two definitely uses its predecessor as a template, it proceeds to use the formula to explore new ideas. This becomes obvious in the very first stage. As you can see in the above screenshot, there is not a single golden arrow to be found in the first stage. If you were playing the first game, you would have no way to proceed; even with Ogmo’s ability to jump a second time in midair, he couldn’t possibly reach the ledge in the center of the screen. Thankfully, he has a few new tricks up his sleeve this time around.

By running, pushing the arrow key corresponding to the opposite direction, and jumping, Ogmo can perform a skid jump. Skid jumps gain significantly more height than a standard jump. You need quite a bit of momentum to pull this off successfully. You’ll know you have built up enough speed if Ogmo kicks up dirt as he is turning. Once you have reached the ledge in the center of the screen, all you’ll need to do is exit the stage. This is accomplished by using the wall jump. To use the wall jump, you must press the arrow key in the direction of the wall and jump at the same time. As soon as Ogmo propels himself from the wall, you need to press the arrow key corresponding to his new direction to cover the most distance.

Another thing you might notice upon entering the first stage is a teal, diamond-shaped object in the top-left corner. This is a gem. Gems are not required in any way to complete a stage. Instead, they help unlock bonus features. Bonus features include alternate skins for Ogmo, a jukebox, game modifications, artwork, and extra stages. Merely completing a stage can unlock certain features, but the most significant ones are obtained through getting these gems. Unlike in Jumper in which you were stuck on your current stage until you completed the game, Jumper Two allows you to revisit cleared stages whenever you want.

If you choose to revisit a stage, you will potentially notice two significant changes. First of all, there is a timer in the bottom-left corner. The left number represents the amount of time that has passed since you entered the stage. Its opposite represents your best record, which is to say, the shortest amount of time it took for you to complete the stage. It can be thought of as a platforming equivalent of the “Time Trial” mode from the Mario Kart franchise. By reducing the accumulative time it takes for you to complete the game, you will unlock more bonus features.

Jumper Two shines in many of the same ways as its predecessor. It is as pure of a platforming experience as you can get. There are few enemies to fight, no power-ups to obtain, and only the bare minimum of a plot. All you need to do is to guide Ogmo to the end of a stage. Despite offering a similar experience, Jumper Two does mix up the basic premise of the game quite a bit. I say this because Jumper Two has a plethora of new gimmicks for the player to discover. Clearing the game will involve Ogmo pushing TNT crates onto lower platforms to blow up a floor tile, riding conveyor belts, and avoiding spiked blocks that follow him as doggedly as the white blocks introduced in the original game.

Ice plays an interesting role in the game. In most platforming games, ice merely reduces the character’s friction, making platforming a little more difficult. While this is true in Jumper Two, it is significantly more of a hindrance to Ogmo than, for example, Mario or Donkey Kong. If the floor is covered in ice, not only does Ogmo slip around, he cannot perform a skid jump. Furthermore, if there is ice covering the walls, he cannot jump off of them. Though it can be annoying to deal with, you can also use it to your advantage. You may, on occasion, come across a series of short ceiling spikes above an icy path. Though they will still kill Ogmo if he comes into contact with them, you can take advantage of his newfound ability to duck, which is accomplished by pressing the down arrow key, to slide underneath them after gaining enough momentum. If you happen upon any switch in the game, ducking is also how you activate them.

My personal favorite gimmick involves such a switch. The switch initially appears red allowing matching floor tiles to be walked on. However, red spiked mines also appear as long as they match the switch’s color. To get them out of your way, you must press the switch, which turns it blue. Now, both blue floor tiles and spiked mines are tangible. This development is about as close as one could get to emulating the dimensional jumping abilities of the title character of Dim without outright giving Ogmo the same power. In certain circumstances, it allows Ms. Thorson to effectively create a stage within a stage.

What I particularly enjoy about Jumper Two is that the gimmicks extend beyond the props with which Ogmo can interact. Unlike in Jumper wherein every sector with the exception of the seventh had only the background colors to differentiate them, Jumper Two has definable worlds akin to Super Mario Bros. 3. A shadowy organization seeks to capture Ogmo for some nefarious purpose and the third sector takes place on a train owned by the aptly-named Conductor, who works for them. These stages are quite a bit different in that the standard bottomless pits are replaced with the ground. However, because Ogmo would merely get run over by the train’s wheels, touching the ground is a death sentence.

Occasionally, you’ll have to deal with the environment itself as you progress through the game. The seventh sector takes place in Mt. Haphazard. The winds of this mountain are very powerful, and affect Ogmo’s jump physics whenever a gust picks up. These are reminiscent of corresponding stages in Ninja Gaiden II in that you must use the snowfall to gauge whether or not a jump is safe to make. A later stage even turns the game into a stealth-based affair by featuring a metallic floor that grabs the attention of the main antagonist’s second-in-command if Ogmo steps on it. While it is possible to complete the stage after making a noise, said character can phase through walls to kill Ogmo, making it significantly more difficult.

All in all, Jumper Two is, on the surface, what a creator should strive for when it comes to making a sequel. It takes the gameplay of the original and introduces new ideas to build upon what you learned during your trials and tribulations. Unfortunately, I have to remark that some of these new ideas don’t work so well. As was the case with Jumper, Jumper Two requires the player to acclimate themselves to the bizarre physics engine. In Jumper, Ogmo more or less stopped on a dime, not gaining any significant momentum. It stands to reason because without the ability to run, there really wasn’t a need for the character to have momentum. However, in Jumper Two, momentum plays a key role in performing a skid jump. While it would seem to go without saying that Ogmo gains speed while moving, you also have to keep this in mind as you’re navigating him while he is airborne. Though the Jumper engine was strange, it easily allowed players to do so. In Jumper Two, you have to maneuver Ogmo as though he is on the ground even if he’s in the air. This gets confusing because what you see onscreen doesn’t match up with the course of action you must take. To make things even stranger, if Ogmo happened to be touching ice before making his first jump, he will somehow continue to skid in midair, which is very odd if you’re not expecting it.

Jumper Two also sticks out from its predecessor in that it has an actual plot. It is, by Ms. Thorson’s own admission, a nonsensical plot – one that goes out of its way to make fun of as many standard video-game tropes as possible. This is a mixed blessing. On one hand, the plot does make the game marginally more interesting – even if it’s a bit predictable.

On the other hand, with Jumper Two possessing definable antagonists, this necessitates confronting them. Though the boss fights are, in essence, glorified puzzles, it becomes clear that Jumper Two is not optimized to feature them. In a game that normally features no combat, it’s jarring when the protagonist is made to fight anything. The fight against the Conductor merely involves causing blocks to fall on his head until he falls off his train. Later bosses are fought in similar fashions, either taking advantage of the environment in some way to fell them or just avoiding them outright. I appreciate wanting to throw variety into the mix, but Ms. Thorson had already done such a great job doing so in the rest of the game that the boss fights come across as redundant at the best of times.

Drawing a Conclusion


  • Adds two new jumps to the game
  • Simple, yet effective gameplay
  • More gimmicks added
  • Some original music now present
  • Comes with level editor

  • Physics engine takes some getting used to
  • Little to gameplay outside of platforming
  • Boss fights aren’t implemented well
  • Somewhat short

Even with as few moving parts as it has, it’s commendable that Ms. Thorson, at the age of sixteen, was able to complete a sequel four months after the original’s release. For all of the problems I have with Jumper Two, it doesn’t show any signs of having been rushed. Had I not directly observed the two games’ release dates, I would have assumed Jumper Two was released a year after its predecessor. Whatever flaws are present in Jumper Two come across as issues that would have remained even if she did indeed take a year to make it. AAA producers weren’t always this consistent with sequels despite having much longer development cycles and a greater amount of resources at their disposal. Once again, I give Ms. Thorson a lot of credit, for there was clearly a lot of love that went into Jumper Two.

When all is said and done, however, I find myself exactly where I was when I discussed Jumper. That is to say, Jumper Two is a game made for platforming fans. It is absolutely not the kind of game you would use to introduce a newcomer to the genre, nor is it capable of persuading a skeptic. It is a game that doesn’t have any artificial difficulty or cryptic puzzles, but people who aren’t platformer fans likely won’t get anything out of it. Having said that, if you do love platformers, it is absolutely worth looking into, and you will enjoy what it has to offer.

Final Score: 5.5/10

5 thoughts on “Jumper Two

  1. Jumper 2 never gave me a chance to beat it in the past.

    To be honest, I like what went into Matt Thorson’s mind when he made Jumper 2.

    It is indeed incredibly hard that any one who dares to play this game will always come to the realization that winning against it will take hundreds of tries.

    Thus, it’s also very addictive.

    The game’s fast gameplay and basic visuals make it more immersive in a good way.

    I love how it gets harder thanks to its brilliantly designed levels.

    It’s nice to hear from this game again.

    Thanks for reminding me!

    Liked by 1 person

    • Yeah, it’s quite the challenging game, isn’t it? It was a solid effort for its time, though I’d say Thorson has achieved a higher level of greatness with Celeste. That said, platforming fans would absolutely get a kick out of this game, so I could easily recommend it to them.

      Liked by 1 person

  2. That’s a really interesting thing to find in the current internet age. Didn’t used to be you could find current producer’s old teenage projects. Kind of makes for a really interesting perspective.

    Also, this seems incredibly sound for a sixteen year old’s creation over the course of four months. Guess dude had some promise back then.

    Liked by 1 person

    • Yeah, in most cases, projects like these would be deleted and thought of as an old shame rather than placed on the internet. It’s understandable in some cases, but it’s a shame when it’s games like Jumper getting erased. A lot of what I’m liking about Celeste I can trace back to these games, and most people never would have been able to appreciate that connection had Mr. Thorson decided to delete the games from the internet. I myself discovered them back in 2005 when I was searching for a completely freeware different game, and they were some of my first exposures to the indie scene.

      It and its sequel are indeed really solid games, and it’s even more impressive when you consider there are many AAA projects that, given a much longer development cycle, didn’t turn out this well. Even for a game with such few moving parts, being able to come up with it four months later is impressive (while collaborating with another creator on another game in the interim, no less).

      Liked by 1 person

  3. Pingback: 200th Game Review Special, Part 2: Full Yellow Jacket | Extra Life

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.