In 1630s New England, William and his family have been banished from a Puritan plantation having expressed heretical beliefs. They have built a farm in a secluded forest, where they live a solitary life. William’s wife, Katherine, has given birth to their latest child, Samuel. One day, their daughter, Thomasin plays peekaboo with the baby only for him to disappear without a trace. Unbeknownst to the family, a figure clad in red has kidnapped the unbaptized infant and kills him, using his blood and fat to make an ointment. Though William insists a wolf stole the baby, his wife and children suspect evil forces may be at work.
The 2000s was arguably the most prolific decade for a majority of Nintendo’s big-name franchises. The Zelda franchise issued several beloved installments such as Majora’s Mask, The Wind Waker, and Twilight Princess. At the same time, the Mario franchise became highly experimental; Super Mario Sunshine had the title character explore a tropical island with a highly pressurized water dispenser on his back while Super Mario Galaxy saw him explore the far reaches of space. However, Nintendo’s most unexpected move was in 2002 when the Metroid franchise saw not one, but two installments revitalize the franchise that had been dormant since the 1994 release of Super Metroid. One of these games, Metroid Prime, allowed the franchise to break into the third dimension. It was followed up with two sequels, forming what is considered one of the most solid trilogies in the medium. With the franchise proving its continued relevance in the face of their new competition, the future seemed bright for Metroid.
Indeed, going into the 2010s, enthusiasts were excited to play the upcoming Metroid: Other M. Retro Studios demonstrated the franchise’s flexibility with their imaginative scenarios, and Metroid: Other M would be a comparatively simplistic return to form courtesy of Yoshio Sakamoto, the man who directed Super Metroid. It seemed as though this new installment was geared to join Super Metroid and the Metroid Prime trilogy as one of the series’ hallmarks. Unfortunately, it wasn’t to be. In a shocking turn of events, the same game that topped countless lists regarding the most anticipated titles of 2010 received anomalously bad word-of-mouth. By the end of 2010, the game failed to sell one-million units. Only two years after its release would it pass the threshold. This was an unthinkably dismal performance for a first-party Nintendo game.
The point of contention among most independent critics concerned its story. Mr. Sakamoto had poured a lot of his soul into the project, wishing to provide a definitive characterization of series protagonist Samus Aran. However, said characterization proved problematic for a majority of the enthusiasts who played it – not only abroad, but domestically as well. Consequently, the scenario was universally panned to the point where many critiques failed to mention the gameplay. Depending on one’s perspective, said gameplay was either passable or outright bad. Though the exact quality of Metroid: Other M was hotly debated, its status as a commercial disappointment couldn’t be contested.
For many years, there was no word of a new Metroid installment. The only game bearing the franchise’s name saw the light of day in 2015 under the name Metroid Prime: Federation Force. Because players felt it had little to do with the franchise, the game received a monumental preemptive backlash that persisted once it was released. Many enthusiasts resigned themselves to the fact that the Metroid franchise was effectively dead.
Luckily, all hope was not lost. Developers led by Yoshio Sakamoto began work on a new project in 2015 codenamed Matadora. Joining them on this endeavor was the Spain-based developer MercurySteam. They had previously pitched a Metroid game for the 3DS and Wii U. It was ultimately rejected, but Mr. Sakamoto took note of their interest in the series, and decided to collaborate with them. MercurySteam wished to remake Metroid Fusion, but Mr. Sakamoto instead suggested reimagining the series’ second installment, Metroid II: Return of Samus. He himself did not work on the classic Game Boy title, but he was enthusiastic about remaking it, believing it to be a vital part of the series’ lore. With the knowledge he and his company had developing Castlevania: Lord of Shadow – Mirror of Fate, Jose Luis Márquez found himself in the director’s chair alongside veteran developer Takehiko Hosokawa.
As it turns out, their project couldn’t have been timed any better. Metroid fans had been clamoring for a Metroid II remake for many years. It was to the point where one enthusiast, who went by the alias DoctorM64, took it upon himself to develop an unofficial remake titled AM2R (Another Metroid 2 Remake). For his troubles, Nintendo issued a cease-and-desist notice, and the game was taken offline. While fans were understandably upset, they later learned the biggest reason why Nintendo did what they did when they announced their own official remake. For his part, Mr. Sakamoto stated that, though he hadn’t seen the game, he appreciated the fan for caring so much about the series. On that note, DoctorM64 was just as excited about Nintendo’s project as Mr. Sakamoto himself. In fact, he bought a New 3DS XL with the specific purpose to play Nintendo’s Metroid II remake.
After much speculation, the game was released in September of 2017 for the 3DS under the name Metroid: Samus Returns. The Nintendo Switch had been released six months prior, but Mr. Sakamoto had declined releasing it on that platform due to the 3DS’s larger consumer base at the time. He also felt the dual screens allowing players to view the map during gameplay would be of an immense help. Upon release, Samus Returns was well-received. After a lackluster showing for a majority of the decade, it was seen as the return to form the series needed to stay relevant in the eighth console generation. Mr. Sakamoto had spent a majority of this decade a laughing stock among long-time enthusiasts – especially on message boards. Was Samus Returns able to restore the goodwill he lost?
Goro Hanada is the third-ranked hitman of the Japanese underworld. He has flown into Tokyo with his wife, Mami. There, they meet Kasuga, a formerly ranked hitman who now makes his living as a taxi driver. Kasuga asks Hanada to assist him to break back into the profession. Hanada agrees, and the three of them go to a club owned by yakuza boss Michihiko Yabuhara. The two men are tasked with escorting a client from Sagami Beach to Nagano. Little do they know that they’re about to drive into an ambush.
After having made the critically acclaimed A Streetcar Named Desire film adaptation in 1951, director Elia Kazan teamed up with Marlon Brando once again. This resulted in another beloved classic in the form of On the Waterfront in 1954.
Johnny Friendly is a Mob-connected union boss who prides himself over his iron-fisted rule of the waterfront in Hoboken, New Jersey. The police know that he is behind numerous murders, but because witnesses play “D and D”, which is to say “deaf and dumb”, they are wholly unable to mount a case against him. The people choose accept their subservient position rather than risk their lives to inform the authorities of Friendly’s rampant corruption. Terry Malloy, the younger brother of Friendly’s right-hand many, Charley the Gent, makes his living as a dockworker. He is used to coax Joey Doyle, who is slated to testify in court against Friendly into an ambush. Terry assumed Friendly’s enforces were going to coerce Joey into staying silent, but to his shock, they throw him off a roof instead. Now, with Joey’s sister, Edie, vowing to uncover anything she can about Joey’s murder, Terry finds himself in a precarious position when he begins developing feelings for her.
In the 2000s, British developer Data Design Interactive had the idea to remake the classic Amiga game Zool: Ninja of the Nth Dimision for the then-current console generation. This plan fell through when Zoo Digital Publishing, unimpressed with DDI’s efforts, canceled the project. Not to be deterred, DDI continued with the assets they created. Changing the theme and the protagonist, the end result was Ninjabread Man. The game was universally panned upon its 2005 release, becoming even more notorious in 2007 when DDI ported it to the Nintendo Wii under their Popcorn Arcade branding. Around the same time, DDI released another game utilizing the same engine as Ninjabread Man dubbed Anubis II. Does this game fare any better than Ninjabread Man, which is considered the textbook definition of shovelware?
In 1982, the planet Earth was shocked to its core when an alien vessel began hovering over the city of Johannesburg, South Africa. An investigation of the spaceship turns up a population of malnourished aliens. Nicknamed “prawns”, the South African government decided to confine the aliens to a camp designated District 9. It is now the year 2010. Following a period of severe unrest between the aliens and the locals, the government hires the services of Multinational United (MNU), a private military company, to relocate the aliens to a new camp. Piet Smit, a prominent MNU executive, appoints his son-in-law, Wikus van de Merve, an Afrikaner bureaucrat, to oversee the forced migration. Little does anybody know that this routine operation will ultimately disrupt the South African government’s eighteen years of institutionalized speciesism.
Hope you all enjoyed Halloween! I have to admit I didn’t do much, but watching these horror films at the last minute was a lot of fun. Too bad I didn’t think to review a survival horror game, huh?
Happy Halloween everybody! I’ve decided to celebrate the day with a Halloween-themed Reel Life segment. I got to see three horror films this week, and I can certainly say they took me on a strange journey. No dogs playing poker, however.
Though somewhat overshadowed by Sega’s Sonic the Hedgehog, a game starring a character more in tune with the zeitgeist of the early nineties, Super Mario World was a success upon its 1990 release. While dismissed as just another Mario game, when enthusiasts began giving it the time of day, they realized it was so much more than that. It and its predecessor, Super Mario Bros. 3, are now considered some of the best games ever made. Owing to its strong launch titles, Super Mario World included, the Super Nintendo Entertainment System (SNES) found itself being able to keep pace with the Sega Mega Drive – or the Genesis as it was known in North America.
While developing Super Mario World, series creator Shigeru Miyamoto introduced a character named Yoshi. He was a dinosaur whom Mario could ride like a horse. Fellow developer Takeshi Tezuka speculated that Mr. Miyamoto’s fondness for country and Western themes played a role in Yoshi’s creation. In fact, Mr. Miyamoto had envisioned Mario with a dinosaur companion as early as when he worked on Super Mario Bros. in the mid-eighties, but the technical limitations of the Famicom made this idea impossible. Almost immediately after his introduction, Yoshi become one of the series’ most popular characters. Over the next few years, Yoshi was prominently featured in various spinoff titles. One such title was Yoshi’s Cookie, a puzzle game that even featured a special mode designed by Tetris creator Alexey Pajitnov. Another was Yoshi’s Safari, a rail shooter that utilized the Super Scope, the successor to the NES Zapper.
As it turned out, Yoshi’s striking popularity extended to his creator as well, for Mr. Miyamoto thought about making him the series’ protagonist. However, he did not particularly care for other games featuring Yoshi’s name, and strove to make something more authentic. He presented his idea to Nintendo’s marketing department. To his surprise, they rejected his proposal. In 1994, Nintendo had published and released Donkey Kong Country, which was developed by the England-based developer Rare. Its pre-rendered graphics allowed it to stand out from the traditional, comparatively simplistic art style associated with the Mario series. Frustrated at the marketing executives, Mr. Miyamoto felt they were more interested in superior hardware than art. He even went as far as denouncing Donkey Kong Country, feeling it proved that “players will put up with mediocre gameplay as long as the art is good.”
As something of an act of rebellion, Mr. Miyamoto took the cartoonish art style for which the Mario franchise was known and escalated it. The result was a hand-drawn, crayon style reminiscent of children’s drawings. To achieve this effect, artists drew graphics by hand, scanned them, and approximated them down to the exact pixel. When he presented this revised art style to the marketing department, they accepted it. The game had actually been in development in various forms for four years, allowing the team to add what he described as “lots of magic tricks”.
This new game was released domestically in Japan in August of 1995 under the name Super Mario: Yoshi’s Island. It was released in the West the following October with the slight name change Super Mario World 2: Yoshi’s Island. Though it wasn’t as financially successful as Super Mario World, Yoshi’s Island gained a dedicated following of its own. It too became one of the most beloved titles on the Super NES. In fact, some people have even gone as far as claiming it to be the superior effort to Super Mario World, citing is unique gameplay, art, and sound design. How does Yoshi’s Island fare in the face of its impressive predecessor?
Hey, this week I’m actually talking about something relevant to October for once! About time, isn’t it?