I can’t say I’m as knowledgeable about films as I am video games, but I do find myself in the theaters quite often. Indeed, if one were to take the journalists at face value, one could get the impression that 2018 was a triumphant year in filmmaking, setting the bar higher while surpassing the masters of old. Having watched many classic films at home throughout 2018, I can confirm this is absolutely not the case. As a year, 2018 had not even the vague affectations of consistency. While I admittedly enjoyed a majority of the praised films from 2018, every now and again, I would see an acclaimed dud. In 2017, the worst film I saw in theaters was also the one with the least acclaim. In 2018, there were several instances in which I enjoyed films with relatively low scores over ones universally praised. When critics think solely with their hearts, it can make assessing the quality of their favorites tricky.
Well, we’ve all reached the year’s halfway point. I’m proud to say that I’ve already written twenty-eight reviews so far. With me having taken down my review of BioShock: Infinite earlier this year, the current count is 127. My goal by the end of the year is to reach 150, which I’m feeling good about because I’ve been able to write at least one review per week so far in 2018.
For the first time in this segment, I get to talk about a film that has only seen a limited release so far. This is especially great because now I get to voice my opinion of whether or not it’s worth seeing ahead of time.