As you may have noticed since my 150th game review special, I ended up awarding passing grades far less often than middling or failing ones. It was to the point where I had gone at least two different months of this year without awarding a single one, causing me to promise to review at least one good game the following month. To be honest, I’m not entirely sure why things turned out that way, though reviewing long-running series that took a few installments to finally get good probably had something to do with it (the Bubsy series was responsible for three failing grades by itself). Either way, we’ve finally reached the games I can straight-up recommend, so if you haven’t played them, seek them out.
2019 is halfway over if you can believe that. I can, given how long ago my first review of this month felt. So far, it’s been a slightly better year for films, with Us and Avengers: Endgame having debuted. Those two films are easily a match for the best ones I saw in 2018, and Rocketman is easily the superior effort to Bohemian Rhapsody. That said, the actual distribution of these remains highly fickle (seriously, A24, don’t be afraid to expand your audience). I have to admit I haven’t really played any games from this year, though I am keeping an eye on Fire Emblem: Three Houses…
With Ryuichi Nishizawa and the rest of Westone having created Wonder Boy in Monster World, the versatile franchise now had a presence on the Sega Genesis. However, while Wonder Boy had arguably been Sega’s premier franchise throughout the third console generation, the company provided its answer to Nintendo’s Mario with their own mascot in the form of Sonic the Hedgehog. His debut in June of 1991 garnered a lot of critical and commercial attention, moving millions of copies. Suddenly, the Genesis could stand toe-to-toe with Nintendo’s then-newest console, the Super Nintendo Entertainment System (Super NES). However, the success of Sonic the Hedgehog ended up being a radical paradigm shift for Sega. Because they had a popular franchise on their hands, they focused their attention on making Sonic as versatile of a character as Mario. This ultimately overshadowed their third-generation triumphs. Most jarringly, their previous mascot, Alex Kidd, was left to fall into obscurity when his Genesis debut failed to resonate with fans.
Nonetheless, Mr. Nishizawa and his team were determined to create a follow-up to their fifth Wonder Boy game. Realizing that Monster World was far more popular than the Wonder Boy franchise from which it had spun off from, it seemed highly fitting for Westone to drop the original title for the sixth installment. The result of their efforts was thus simply entitled Monster World IV and released in 1994. Although fans of the Wonder Boy franchise existed in the West, Wonder Boy in Monster World would be the last time they ever saw a new entry.
As the century drew to a close, the internet began rising in popularity. It was only natural for the first adopters to be savvy in the art of programming and, by extension, video games. Through using the internet, they learned of the many games that never left Japan – including installments of popular franchises such as Square’s Final Fantasy. In extreme cases such as Intelligent Systems’s Fire Emblem, entire series were never released in the West. Among the games Western fans learned of was Monster World IV. The use of the internet along with the widespread availability of the titles’ ROM images allowed enthusiasts to band together to translate these Japan-exclusive games – including this one. Thankfully for Western fans who weren’t knowledgeable about emulation, Monster World IV did at last see the light of day in May of 2012 on the Xbox Live Arcade, the Wii’s Virtual Console, and the PlayStation Network. Unlike most cases of a game not previously localized being imported, Sega went a step further and provided an official translation for Monster World IV. Unfortunately, in the eighteen years since its domestic debut, Westone had gone out of business. Monster World IV was the newest installment in the series in both 1994 and 2012. Was Westone able to end their most famous series’ initial run on a high note?