200th Game Review Special Finale: Masterpieces on Parade

When I started this site, I wanted to make it clear that creators have to work to achieve every single point. While certain critics hand out 10/10s out like penny candy, you won’t see me use the grade very often. Indeed, my 150-review milestone was notable in that I hadn’t actually awarded any 10/10s. This milestone is strange because it’s the first time in which I actually awarded more 10/10s than 9/10s. Regardless, the reason I tend to be sparing with these grades is because I want to make it clear that when I award them, the recipients are true masterpieces. Here are the games that went the extra mile to achieve that distinction.

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[GAME REVIEW] Pokémon Black 2 and White 2

Introduction

Although they didn’t move quite as many units as the preceding set of games, the Black and White versions of Pokémon were the basis of yet another success story for the juggernaut franchise. Their scenario was especially praised for its sophisticated story beats, with many considering it the spiritual successor to Shigesato Itoi’s lauded 2006 effort, Mother 3. Having sold millions of copies, that there would be a follow-up to these games was a foregone conclusion. Indeed, previous generations had a standalone version to complement the initial two games. With the versions being called Black and White, many fans anticipated that a “Grey” version was just around the corner. However, the development team felt such a choice clashed with the theme of contrasting opposites that ran throughout the original games. Therefore, in defiance of enthusiasts’ expectations, the successors to Black and White were to be direct sequels: Black 2 and White 2. With many considering the fifth generation the series’ shining moment, the idea of returning to Unova for a second adventure was highly appealing.

Feeling satisfied with how Black and White turned out, director Junichi Masuda handed the reins to Takao Unno for this project, though the former remained to help produce the games. Because these games were to heavily draw resources from the set directly preceding them, the development process went without incident. Black 2 and White 2 saw its domestic debut in June of 2012 before being released the following October in North America, Australia, and Europe. Although these games were well-received overall, the critical enthusiasm didn’t match that of their predecessors. This reflected in sales figures as well with a little under eight-million copies sold by March of 2013. Could there be something about these games not reflected by the numbers?

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