[FILM REVIEW] Apur Sansar (Satyajit Ray, 1959)

A young man named Apurba Kumar Roy – or Apu – has recently graduated from school. Apu is encouraged by his teacher to attend university, but he cannot afford it. After having lost his entire family due to tragic circumstances, he tries to find a job. Though unemployed, he manages to get by providing private tutoring lessons. He seeks to write a novel based off of his own life with the intent to publish it one day. Things take a turn for the interesting when an old friend, Pulu, invites Apu to attend the wedding of his cousin.

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[FILM REVIEW] Aparajito (Satyajit Ray, 1956)

In the year 1920, a young boy named Apurba Roy – or Apu – has left his home in rural Bengal with his parents, Harihar and Sarbajaya, settling into an apartment in the bustling city of Varanasi. Working as a priest, Harihar has been making a decent amount of money, and with the tragic death his first child weighing on his mind, he is determined to make as good of a life as possible for Apu. The family couldn’t possibly have known at the time exactly what plans fate had in store for them.

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Pather Panchali (Satyajit Ray, 1955)

In the rural Bengal village of Nischindipur, Harihar Roy does whatever he can to provide for his family. He lives with his wife, daughter, and an elderly cousin – Sarbajaya, Durga, and Indir. Indir and Sarbajaya cannot stand one another, though Durga has a fondness for the former, often stealing fruit from a wealthy neighbor’s orchid for her. Harihar is especially determined to find work because his wife is pregnant with their second child. When he is born, they name him Apurba – or Apu.

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