Apollo Justice, and by extension, the core Ace Attorney series, had gone five years without a sequel. When a follow-up was at last announced in 2012, it had a potential to alienate longtime fans. After all, this was going to be a sequel to what most fans considered the franchise’s nadir. Not only that, but an entirely new development team had taken over its production with no involvement from series creator Shu Takumi and they saw fit to introduce a new assistant as a replacement for a fan favorite. Director Takeshi Yamazaki, producer Motohide Eshiro, and their team had more than proven themselves capable with Prosecutor’s Path, but because it wasn’t localized, Western fans remained unaware of their talent. The sole entry they were exposed to was the original Ace Attorney Investigations. While enjoyed, fans didn’t have nearly as much reverence for it as they did the original trilogy. Thankfully, despite similar factors spelling the downfall of many venerable franchises, a majority of the risks taken by the duo paid off, and Dual Destinies was, by and large, embraced by the fandom.
With plenty of unresolved plot threads floating around, there was potential for a sequel. Unfortunately, shortly after finishing Dual Destinies, Mr. Yamazaki felt a crippling sense of exhaustion, expressing the desire to resign from developing any more Ace Attorney installments. Thinking quickly, Mr. Eshiro decided a trip to events attended by fans was in order. Together, they appeared at the San Diego Comic-Con International and held a press conference in Taiwan. Feeling the enthusiasm of his fans firsthand – both Western and Asian alike – Mr. Yamazaki decided to direct the series’ next installment, to be called Turnabout Trial 6 in its native homeland.
Believing that the cause behind Mr. Yamazaki’s exhaustion stemmed from being the sole director of Dual Destinies, he decided his coworker wasn’t going tackle this new project alone – enter Takuro Fuse. Mr. Fuse had cut his teeth with the Ace Attorney franchise when he replaced Tatsuro Iwamoto as the series’ primary art director. He was the one responsible for a majority of the character designs. He now found himself sharing the director’s along with Mr. Yamazaki.
The project now had two directors and a producer determined to see it through to the end. All they needed now was a theme. Dual Destinies had carried out the impressive task of simultaneously being a return to form while also taking the canon in intriguing, new directions. The only way they could possibly top such a feat was through brainstorming sessions. With nobody being allowed to veto anyone else’s ideas, they eventually settled on the theme of “courtroom revolution”. It was to be an Ace Attorney spin on a classic tale: “the oppressed and weak defeating the strong” in the words of Mr. Yamazaki.
During the development phase, the team agreed that with Phoenix Wright making his triumphant return to the courtroom, nobody could prove a match for him anymore in his normal setting. It is from this line of thinking that they decided to move him to a foreign country with a different court system. Not only that, but promotional materials made it clear supernatural elements, which had been absent from the series for the past three installments, were to return as well. This was alluded to in its English subtitle: Spirit of Justice. Responding to fan feedback, they also decided it would be appropriate to give Apollo Justice a larger role. Therefore, while Phoenix handled cases abroad, his apprentice was to resolve problems back home. How they went about conceiving episodes was a little different this time around. Each episode had a primary writer, and they were assigned based on their strengths. Some proved apt with dialogue while others had a penchant for lending their stories a sense of intrigue. The staff often stayed in the meeting room until nightfall.
After the usual fan and media speculation, Turnabout Trial 6 was released domestically in June of 2016. Four months later in September, the game saw its worldwide release under the name Phoenix Wright: Ace Attorney – Spirit of Justice. Though Dual Destinies was well-liked itself, several fans felt Spirit of Justice to be an improvement. In fact, shortly after its release, a particularly vocal group insisted that Spirit of Justice was the best game in the entire series. The original three games are seen as something of a sacred cow in certain subsets of the Ace Attorney fandom, yet even they found themselves admitting Spirit of Justice was a quality product. Were Mr. Yamazaki, Mr. Fuse, and Mr. Eshiro able to demonstrate beyond a shadow of a doubt that Dual Destinies was not a mere happy accident?
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