I can’t say I’m as knowledgeable about films as I am video games, but I do find myself in the theaters quite often. Indeed, if one were to take the journalists at face value, one could get the impression that 2018 was a triumphant year in filmmaking, setting the bar higher while surpassing the masters of old. Having watched many classic films at home throughout 2018, I can confirm this is absolutely not the case. As a year, 2018 had not even the vague affectations of consistency. While I admittedly enjoyed a majority of the praised films from 2018, every now and again, I would see an acclaimed dud. In 2017, the worst film I saw in theaters was also the one with the least acclaim. In 2018, there were several instances in which I enjoyed films with relatively low scores over ones universally praised.
Harry Rawlings, a highly skilled thief, has planned a heist against the Chicago crime boss Jamal Manning. Helping him are three partners: Carlos, Florek, and Jimmy. Things take an unfortunate turn when the four of them perish in an explosion during a shootout with the police. Veronica Rawlings, the widow of Harry, is now being threatened by Jamal. As the wife of Harry, she must repay him the two-million dollars lost in the botched heist. As it turns out, Jamal needs this money to finance an electoral campaign for alderman of a South Side precinct. His opponent is Jack Mulligan, the son of the incumbent alderman, Tom Mulligan. As luck would have it, Veronica has found the notebook of her deceased husband, Harry. It contains a detailed plan of what was to be his next heist. Realizing she is running out of time, Veronica bands together with the other recently-widowed woman, determined to appease the powerful crime boss.